《驴为媒》故(gù )事(🦈)(shì )发(🔆)(fā )生在当下(🚀)鲁西(🛌)大(dà )地(dì )上的聊(🥄)城市，讲述(shù )的(de )是(🐦)在京打拼多年的(🧀)(de )有(yǒu )志青年，得知(🐚)老家(jiā )惠(huì )民政(🆙)策后，回乡养(yǎng )驴(🏕)(lǘ )、带领村民脱(🔥)贫致(🍰)(zhì )富(fù )，实现(🈸)自己(🧀)创业梦(mèng )，并(🍾)赢得(🏛)爱情的故事(shì );讲(🌏)(jiǎng )述了党的精准(🍤)扶贫政(zhèng )策和乡(💠)村振兴战略在(zà(🔣)i )齐鲁大地的生(shē(📙)ng )动实践(jiàn )，展现了(🌑)基层(céng )党员干(gà(🛤)n )部在(🕤)全面建成(ché(🎂)ng )小康(🕗)社会进程中的(de )“主(✖)心骨”形象。电(diàn )影(🍧)(yǐng )《驴为媒》坚持“小(🔊)(xiǎo )成本、大情怀(🌵)、正(zhèng )能(néng )量”的(🗒)创作宗旨，紧(jǐn )扣(🍧)当前乡村振兴和(😈)(hé )精(🚢)(jīng )准扶贫主(📈)题，将(📕)社(shè )会(huì )效(🧜)益、(🍡)价值引领放(fàng )在(🎸)(zài )首位，引导人们(💹)努(nǔ )力(lì )实现个(🈁)人前途与国家(jiā(📑) )命运、个体经历(🧠)与时(shí )代大潮、(🖲)个体(tǐ )情感与(yǔ(🚗) )国家(🤺)情感的同(tó(🌫)ng )频共(🎸)振(zhèn )，激励人们向(🌩)(xiàng )上向善，自觉践(🆓)行社(shè )会主义核(🏢)心价值观(guān )，讴歌(🤒)党、讴歌人民(mí(🔤)n )、讴歌新时代。

一(🏂)名(míng )男(nán )子不滿(🧡)一樁(🐔)冤獄案(àn )件(⌚)(jiàn )的(🍡)發生，私自綁(👍)架(jià(🧣) )審(shěn )判該案的法(🦈)官，將(jiāng )其(qí )囚禁(🌾)於地下室，並(bìng )錄(💴)(lù )影(📞)開直播，公開(🛸)質(zhì )疑(yí )其判決(🛠)有誤，要求社(shè )會(🌨)大眾對其進行公(🔶)審(shě(🌧)n )並投票，然而(💻)(ér )最(🐃)終的(de )結果，會因此(🔗)(cǐ )撼動程(chéng )序正(📓)義嗎？

银(yín )行经(🕳)理雅各布(弗兰克(📪)(kè )·格里罗饰)的(🐌)同事(shì )被(bèi )暴徒(🕹)夺去生命，而(ér )他(🍯)(tā )将(🥙)和警察(布鲁(💪)斯·(🈺)威(wēi )利斯饰(🦗))联手(⚾)制服凶(xiōng )手(shǒu )。

Konstantin, a songwriter and master guitarist, runs away from numerous problems to the nature reserve Mikhailovskoye. Kostantin has long lost any way of income and has almost given up hope to be heard, living by sheer inertia and often drawing on alcohol.

曼(✳)道和他的成年(niá(😌)n )侄(zhí )子杰克逊使(🏎)用星(🙉)体(tǐ )投(tóu )射(🚔)来扭转鬼魂在万(📸)(wàn )圣(shèng )节的死亡(🛳)。

阿呆和(hé )阿(ā )瓜(🐲)是一(🎁)对非常要好(📉)的(de )朋(📤)友，他们觉得凭借(🛠)(jiè )自己的力量可(📔)(kě )以修理(lǐ )一切(🖕)，有麻烦(fán )发生时(🤺)(shí )，只要开动脑(nǎ(➡)o )筋，利用手边的工(🛌)具(jù )都可以搞定(🤳)。人们(men )总(zǒng )会(huì )被(🏢)他们(💖)的“错误(wù )”行(🚞)为逗(⏮)笑，觉得他(tā )们(men )有(🏟)点笨，大部分时(shí(🐭) )间(jiān )会把事情搞(🖨)的更糟(zāo )，但是呆(😞)瓜兄弟总能(néng )自(🚪)(zì )己做的事情中(🕤)找到(dào )“自己的路(🍭)”，并对(🎾)(duì )自(zì )己努(🛶)力之(🛫)后的结果感(gǎn )到(🧣)满意。因为他们坚(🆗)(jiān )信一句话“伟(wě(🔤)i )大的创(chuàng )造在最(♋)开始的(de )时候也(yě(🤷) )不是完美的，关键(➕)的是开始的勇气(🌱)(qì )”。

Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.